Hej Ruth
Neue Haas Grotesk refuses to die.
It is exhausting when digital branding falls back on the same reliable, expensive geometries just to look serious. But pairing standard grotesks with slightly greasy display serif faces seems to be the current formula for masking digital template layouts. Over on Board, Neue Haas Grotesk does the heavy lifting while Kabel adds that weird seventies geometry we pretend to ironic love. Meanwhile, Daylight reaches for Grenette to inject some editorial friction into what is basically another corporate health portal. We keep buying these new type releases hoping they solve our grid problems, then default to the same three foundries by Tuesday afternoon.
Branding
Identities, rebrands, graphic and editorial design
Campaigns
Advertising, art direction, visual storytelling
Digital
Websites, interaction, motion, UI
Typography
Typefaces, foundries, specimens, type in use
Visual Culture
Essays, criticism, art, technology, ideas
Framer
Updates, changelog and inspiration from Framer
Daylight
Dirty Vine
Elena Scott
Every
Go RVing
Heart & Soil
Muse
Speakeasy
Absurd levels of clinical precision applied to a new KEBAB identity
Dansk bank samler Højlund og otte sportsstjerner i stor kampagne
Inside Robin Hunter Blake’s stroboscopic photography
Kalok Yeung
Kiln Studio designs identity for new weight-loss product, Reset
Limestone Books
Olga Orozco – Lo sagrado, la magia, la poesía
Podcastbureau henter profil i Viaplay
Region Østdanmark vil begrænse fossile reklamer på busser
Sofie Lindes kjole blev blikfang i pop-up om arbejdslivet
The NBC Chimes Museum
The New York Landmarks Conservancy
Usages du bambou japonais
Vert magazine
A look at Plantin
An open A and one dropped word turn Alianza into a cultural brand
Apple Music’s new brand identity is ‘made by sound’
Apple Music's new logo was shaped by Fred Again and a bath of mineral oil
As Thought Bubble comic art festival turns 20, meet the indie creators who could be the next big thing
Carlsberg og Schulstad vinder ny kampagnepris
Chiliens ‘Chuck Norris’ spicer ny Burger King-kampagne op
Danske s360 bliver globalt bureau for cykelgiganten Canyon
How AI has exposed the cracks in the creative industry
KreaKom fastholder kritik af betting-opstramning: “Proportionerne er for voldsomme”
Mission Control
Pentagram looks to Grand Central Oyster Bar’s iconic lettering for its gorgeously gaudy Storefront Gala 2026 identity
Sheba campaign turns cat owners from ignored to adored
Why is a creative agency in New York asking women to 'send nudes'?
Adobe MAX, it's been a while: why Creative Boom is heading to Miami after 11 years away
Annoncekøbet følger ikke med væksten hos verdens største brands
Cricket Wireless turns voicemails into one-off vinyl records
Erfaren SoMe-profil skal stå i spidsen for ny Nord-satsning
Fresh Out of History
From Creative Boom's Instagram to a full rebrand: How Davy Denduyver met A Human Agency
Rosemaund brings a Guy Ritchie flavour to English whisky
SEA turns 30 with a new anniversary book celebrating design that lasts
The Geometry of the Oo
Can a trust mark keep your face out of AI? UnitedUs thinks so with its rebrand for Twinnin
Caserne eschews worthy sentimentality in its gorgeously vibrant, unapologetically modern identity for Let’s Grow Canada
Casey Roarty digs through Facebook Marketplace listings and transforms his findings into art
How Music founded a football identity on lettering found at London's oldest stadium
Oslo's grumpiest resident is back – and this time he's singing
Tropez
Booms & Shakes: October's strategy power moves, Manchester mergers, and why craft is the word of the month
Carnilove's 13-degree type tool takes a pet food brand to 80 markets
Collins centres Remote's new identity on banknote colours and building blocks
Imogen: Agentic AI
Meet Krea 3: the fast, easy-to-use tool built for editing (not replacing) your work
New book In Clubland documents 35 years of rave culture, from acid house to the superclub era
Pentagram's design festival identity finds a clever way to give equal billing to Arabic and English
The Image People
David McGillivray
Caroline Tremlett is bringing the Victorian jelly back, one wobble at a time
Clear in Focus. Sustainable in Action.
David Smalling turns mattresses, pearls and instruments into something unsettling and uneasy
DNCO creates Vermont’s first dedicated consumer tourism brand, aiming to “turn affection into action”
P.A.C. bakery's identity turns a receipt printer into a design tool
Taking a record label for a spin: Milkshake's car-culture identity
André Britz draws dimly remembered landscapes, in a book held together with a pink elastic band
Growth rings and dappled light give Little Green Rooms its headspace
How two simple dots gave Pictoplasma a fresh personality for 2026
Kneading East and West
Pregnant Then Screwed subverts the conventions of retail design to highlight a vital gender issue
Order creates a delightfully design history-steeped identity for Salt Lick on Salt Creek – but what actually is it?
Terreno Barrio Hotel
Betr's gaming super app now runs on one question: You In?
All Purpose’s identity for Two Tribes Brewing is resolutely ‘craft’, while also turning its back on all which that signifies
Oraio's soy sauce identity reads like a wine estate's cellar label
Sapiens borrows newspaper type to give indigenous stories a modern voice
Soft shapes and rounded type turn Bombas into a comfort brand
Top 10: Music Festival Branding
Carrière Scène
Fume
Life Stories
Oath Biome
Pizza With A Side Of Therapy
Royal Sites Ireland
SIHA
The 5 Best Fonts for Hotel & Real Estate Brands
WSM
Koto’s new branding for restaurant discovery app Franki feels lively, thoroughly human, and just the right amount of cute
Boc.Studio
Cactus Digitale
Core-A Studios
IWONDERU Studios
Town
ViV Management
Vrints-Kolsteren’s gorgeous identity for pizza restaurant Napoli on the Road brings a little mischief to minimalism
Alicia Dubuis
Playing With Your Food
Sam Thies
Union Boulangerie
Hedroom
Jakobsen Copenhagen
JKR’s Tropical Smoothie Cafe rebrand is deliciously on the nose, and all the better for it
Les Grands Chênes
Seeing in Colour
The Surfer’s Journal Archives
Félix Péault
Nothin'
The Future In Black
Studio OL
Scullion Architects
Tekt
Exemplar
Studio Gerosa
TaylorHare Architects
Artemii Lebedev
Grapa Studio
SORT Office
Why's type measured in points?
House of Honey
maximilian kaspar
Stereoscope Coffee
The Vellum
Kai Blamey Nguyen
Komma Komma
Visual (Archives) Society
Arc’teryx
Lambert | Lambert
WWAKE
Claystone
Jack & Jill
Omega
The 5 Best Fonts for Luxury Brands
Love and Money
Pear
This Design
Emi Takahashi
Quatrième Étage
Optical vs. Mathematical Alignment
Innovation Endeavours
Not so Early
Peaches
GSAP
Typewriters and the birth of digital letterspacing
Diving into the classifications of type
Kista
Pina Ball
Stella Artois x Wimbeldon
Trial and Error – DIY music conference
The Best Technology Fonts for Tech and Digital Brands
Where are typefaces being designed?
Côt Parrilla
Veda
The Best Fashion Fonts for Apparel and Clothing Brands
Readable vs Accessible
The Dock
Top 5 Off Type Fonts Designers Love in 2026
Where type designers learn
What are hidden characters?
Dickie's Ginger
Top 5 Serif fonts designers love in 2026
The Webster
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